cavalleria

cartolina santuzza credimi

Spartito Cavalleria

manifesto rapsodia satanica

cavalleria rivista ritratto

    Duolo eterno!, Romanze (1878).
    Elegia per soprano, violin and piano (1879).
    Simphony in C minor (1879).
    Melodia for violin (1880).
    Minuetto in C for string quintet (1880).
    Legend for tenor (1880).
    Symphony in F, transcription for piano with four hands (1880).
    In filanda, Singing for solo, choir and orchestra, words by A. Soflredini (1881).
    Simphony in F major (1881).
    Romanze for tenor, violin, armonium and piano, words by F. Romani (1881).
    Strofe choir (1881).
    Novel for piano (1881).
    La pensosa, choir (1882).
    Alla gioja, Singing for solo, choir and orchestra on the script of SchiIler, trans. by A. Maffei (1882).
    Dotted motif for voice and organ (1882).
    Il canto dell'agricoltore for piano (1882).
    Canzone militare for flaute, violin, piano and cello (1882).
    Popoular song (1882).
    Canzone amorosa for flaute, violin, cello and piano(1882).
    Melody for cello (1882).
    Two-voice bridal chorus with "alone" (1882).
    La tua stella, Melody for singing, words by E. Fiorentino (1882).
    La stella di Garibaldi, Singing singer and piano, words by Porfirio (E. Cappelli) (1882).
    Alla luna, romanze, words by A. CipoIlini (1882).
    Pena d'amore, romanze, words b A Ghislanzoni (1883).
    Serenade, words b Porfirio (E. Cappelli) (1883).
    Sulla riva, romanze for singer and piano (1883).
    Sulle rive di Ghiaia, for piano (1883).
    Canzonetta for choir (1883).
    Elegia for orchestra in death of R Wagner (1883).
    Leggenda (1883).
    M'ama... non m'ama, Joke for singing and piano (1884).
    Ballad for singing accompanied by full orchestra (1884).
    Il re a Napoli, romanze for tenor and orchestra, words by A Maflei (1884).
    Popular dance motive (1885).
    French Romanzina (1886).
    Sulle gioie d'amor, romanze (1886).
    Va' mio povero sospir, romanze (1886).
    Una croce in camposanto, romanze (1886).
    Valzer for quartet (1887).
    Polka of Titania, musical joke (1888).
    Sorriso di fanciulla, romanze (1889).
    Military march (1889).
    Bohemian dance (1889).
    Messaggio d'amore, romanze, words by Ildovaldo (AG. Petri) (1890).
    Rosa, romanze, words by RE. Pagliara (1890).
    Risveglio, sketch, words by G.E. Ducati (1890).
    Hymn to the Palermo exhibition, by tenor, seven-voice choir and orchestra; Anonymous text (1890).
    Scherzo, for singer and piano (1890).
    Pifferata di Natale (1890).
    First Simphony in F major (1890).
    Allora ed ora, romanze, words by V. Valle (1891).
    Sintomi d'amore, romanze for singer and piano, words by G. Ferrozzi (1891).
    Exotic dance for orchestra (1891).
    Savoia, hymn (1891).
    L'addio di Palamidone, Satirical strokes on Mascagni's text addressed to G. Giolitti (1894).
    Serenade for singer and piano, words by L. Stecchetti (1894).
    Sera d'ottobre, Lyric, from Myricae by G. Pascoli (1894).
    A Giacomo Leopardi, Poem for orchestra and soprano voice on Leopardian texts (1898).
    Hymn to Adelaide Gairoli for solo choir (1899).
    Andante theme (1899).
    Gavotta delle bambole, for orchestra (1900).
    Corda fratres, Goliardic hymn, words by G. Pascoli (1900).
    Incidental music from « The Eternal City» by Hall Caine (1902).
    New World processional, Triumph march (1904).
    Pastorale (1905).
    Ascoltiamo, romanze for singer and piano, words by G. Menasci (1906).
    Spes ultima, romanze for singer and piano, words by G. Menasci (1906).
    Marine stunts for singing and piano, words by G. Menasci (1906).
    La prima bagnante, fragment (1908).
    La luna, Ballad for singing and piano, words by G. Menasci (1913).
    Il coro dei fanti for voices only (1915-18).
    La ballata di maggio, for voice and instruments (1917).
    Guardando la Santa Teresa del Bernini, «lyric vision» (1923).
    Il canto del lavoro, For choir and orchestra, words by Bovio and Rossoni (1928).
    Danza dei Gianduiotti e Giacomette for choreographic rationale Fiori of Brabante by G. Forzano with music of various authors (1930).
    O Roma felix, for voice and organ (1943)

Soundtracks

    Rapsodia satanica (1915) - Mascagni was the first Italian composer to write a soundtrack for a movie.
    La canzone del sole, directed by Max Neufeld (1934)

Holy music

     Kyrie for first tenor, second, lower, and organ tenor (1880).
     Christe for tenor, baritone and organ (1880).
     Mass for tenor, baritone, bass and orchestra, in collaboration with S. Barbini (1880).
     Kyrie, extends to fa major for first tenors, second tenets, bass, organ and orchestra (1880).
     Ave Maria for singing and piano, words by D. Capellina (1880).
     Pater Noster for soprano and string quintet (1880).
     In nativitate Domini (1881).
     Regarded for soprano, tenor and baritone (1881).
     In Dominion singing and organ epiphany (1882).
     Religious Symphony (1883).
     Introibo, Alleluia, Sanctus (1883).
     Requiem Mass (1887).
     Mass of Gloria in greater façade, choir and orchestra (1888).
     Looking at St. Therese of the Bernini, "lyric vision" (1923).
     Invocation to Our Lady, words by G. Targioni-Tozzetti (1932).

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